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I Watched It So You Don't Have To: Scum (1979)
Empathy just one of the themes of Alan Clarke’s Scum, about England’s notorious Borstal youth detention center. It’s a harrowing watch, here to remind you that these prison systems benefit from society’s ability to look the other way when the truth becomes too uncomfortable to witness.
Friends and Other Monsters: 'Ezrulie' Review
Erzulie, a female-forward creature feature about a mythical mermaid, is a fun and unexpected indie flick that follows then subverts horror tropes in a clever, entertaining way.
Choose Your Own Nightmare Alley
Jenna and Veronica discuss both versions of Nightmare Alley – Edmund Goulding's noir take from 1947 and Guillermo Del Toro's recent release. They also address the necessity for explicit violence in film and why certain auteur directors don’t always click with them.
Synchronic Review: The Trouble with Time Travel & Appreciating the Now
Horror sci-fi Synchronic focuses on drug addiction, sudden death, the harsh realities of the past, and unintentional time travel. While you wish it scratched past the surface a bit more than it does, it’s still one of the better sci-fi offerings we’ve had in the last few years.
I Watched It So You Don't Have To: The House That Jack Built
Ruthlessly bloody, indulgent and like watching Lars Von Trier primp in the mirror for two-and-a-half hours, The House That Jack Built is surprisingly watchable. A little insufferable, big time pretentious, but darkly funny and strangely digestible.
Ep# 15 - We Watched Climax So You Don't Have To
Jenna and Veronica bring I Watched It So You Don’t Have To segment to the podcast to discuss Gaspar Noe’s hyper violent dance-torture film Climax. They suspect this is actually the superior remake of Suspiria.
I Watched It So You Don't Have To: Martyrs
The charges against Martyrs range from misogyny, to torture porn, to support for getting what you want by any means necessary. It’s an unsettling and rightfully polarizing film, but I'd like to take a closer look at what exactly it is saying, and how many (if any) of these claims have validity.
Double Feature: The Stylish and Violent Op Art Future We Deserve (Clockwork Orange & The 10th Victim)
That's right folks, pretty soon we'll be able to violently murder each other next to some sweet-ass concentric circles, just like our forefathers envisioned. You might scoff, but we've been dreaming of this future for a long time.
Double Feature: Manga in Chains (Female Prisoner Scorpion & Riki-Oh)
Based on a manga? Check. Strong, silent protagonist? Check. Prisons? Check. Rage against The Man? Check. Riki-Oh: The Story of Ricky and the Female Prisoner Scorpion movies complement each other perfectly as showcases of Japanese and Hong Kong cinema at the zenith of their age.
Double Feature: Female Anxiety, Celebrity Edition (I, Tonya & Amy)
Veronica takes a look at I, Tonya and Amy in this latest double feature with a focus on celebrity female anxiety as its theme.
I Watched It So You Don't Have To: A Serbian Film
With graphic violence, rape, drugs, pedophilia and necrophilia, Veronica watched A Serbian Film so you don't have to. But maybe you actually should.
Double Feature: Female Anxiety, Christmas Edition (Black Christmas & Elves)
Veronica looks at Black Christmas and Elves – movies about female anxiety, loss of autonomy, murder, and, oh, Christmas.
Giallo to Grindhouse: Our Fascination With Violence
What is it that interests humans in seeing others killed, maimed, or tortured? A look at giallo, grindhouse, and the beyond.
Childhood is Hell: The Horror of Coming of Age Movies
Stand By Me and Now and Then faces mortality, while The Transfiguration and Eyes of My Mother accept it head-on.