Capitalism, loneliness and purity is the name of the japanese idol game–especially as told through Tokyo Idols and Perfect Blue. Carlo and Jenna discuss these themes in depth as they attempt to navigate the darker aspects of a society they otherwise tend to admire.

Onur Tukel’s The Misogynists tickles an intellectually vouyeristic itch by peering into the minds of people who were actually happy after the 2016 election. There is something cathartic about the film’s fly-on-the-wall approach to analyzing people through their political convictions–though the darts Tukel throws at the left hit much closer to home.

If you watch The Party’s Over and Last Summer in a row and you'll come away realizing not only was the dream of the 1960s a lie, but we've never actually accomplished anything.

The charges against Martyrs range from misogyny, to torture porn, to support for getting what you want by any means necessary. It’s an unsettling and rightfully polarizing film, but I'd like to take a closer look at what exactly it is saying, and how many (if any) of these claims have validity.

La Grande Bouffe is a movie that drags out all of the worst qualities in humanity and society, mixes them with our most base and unpleasant bodily functions, and then wallows in them all like pigs in shit.