Guest contributor Zoe Rogan explores the parallels between Olivia Wilde’s Don’t Worry Darling and Luis Buñuel’s Belle du Jour – both films set within repressive worlds, heavy on themes of control, patriarchy and sex, and feature women who seek to break free.

If you watch The Party’s Over and Last Summer in a row and you'll come away realizing not only was the dream of the 1960s a lie, but we've never actually accomplished anything.

Myra Breckinridge is indeed a failure of an adaptation, yet I suspect the intensity of the vitriol towards this film is about something beyond just the admittedly poor direction; most likely it has more to do with the unconscious biases Vidal set out to skewer to begin with.

Featuring To Wong Foo, Thanks for Everything! Julie Newmar and Girls Will Be Girls.