Elvis ended up being the best of what it could have been: a glittering frenzy of feverish reverence, replete with pink suits and matching Cadillac cars, hysterical hip-shaking highs and slurred, sweat-dripping lows.

Jenna is encouraging you to not only go see The Electrical Life of Louis Wain but also to join her in starting a new electric religion based on Louis’ own quasi-scientific ramblings and psychedelic cat drawings.

Matthew Rankin’s The Twentieth Century is like if Guy Madden and Ken Russell discovered a portal to the 1920s while playing playing laser tag against Monty Python’s animations. You know, your run of the mill biopic on a moderate Canadian politician.

Tesla de-claws the myth of the angry male genius who is simultaneously punished and celebrated by society as a superior being. Almereyda’s Tesla is instead portrayed as a bundle of neuroses whose naive utopian ideals are as much the key to his downfall as they are to his genius.

My Friend Dahmer emphasizes how the culture of cruelty and selfishness in high school can aid in masking real warning signs. But to forgive or not to forgive is another question entirely.

Interview with director Robert Budreau on Born to be Blue, jazz, and being true to the spirit of Chet Baker.