Veronica watched Singapore Sling so you don’t have to, outlining all of the worst parts of this wet and gruesome ride through Greek Tragedy and BDSM.

The brilliance of She Dies Tomorrow is in how it weaponizes the anxiety of anticipation. The finality of death, in comparison, feels far less terrifying than having to live in fear of its inevitability.

Instead of trying to tackle an entire oeuvre, this time Carlo & Jenna focus on two wild and wacky films that have nothing in common except for their supremely cartoonish appearances.

We’re three years old today! Check out the most popular articles from our third year on this mortal coil–including I Watched It So You Don’t Have To, Hoser Horror, I Watched It So You Don’t Have To, Hoser Horror, and I Watched It So You Don’t Have To and Hoser Horror.

While it might seem like a simple tale of revenge, Mandy is a post-Vietnam War story about ideological wars and the inescapable systems in which we find ourselves.

This week on the podcast, Veronica and Dan discuss trashy jump-scare horror and the current trend of calling certain genre films “elevated.”

We’re two years old and we’re learning how to run, talk and be more social. We’re also throwing tantrums, so click the damn link already!!

With the character of Dr Klemperer, Luca Guadagnino and David Kajganich make an assumption of guilt that should be unpacked. In weighing the insinuations of this storyline, Auschwitz survivor Primo Levi comes to mind.

There are scores of horror movies that follow formulas, rules, and tropes to the bitter end. Even with the 2018 glut of art house horror, plenty of familiar aspects linger. To really see beyond the rainbow on this one, we need to look to experimental horror.