If we peel back all of the layers of Asteroid City we discover the paradox of the director – specifically, how one can truthfully portray the chaos of the world while still working within film, a medium that itself calls for tight control and planning at every step.

As origin and identities remain a focal point in national discourse, Veronica takes a look at films that speak to unknown origins and chosen families – Return to Seoul, Nr. 10 and I Like Bats.

Will there ever be a rainbow?